{"id":3504,"date":"2022-05-23T21:15:03","date_gmt":"2022-05-23T21:15:03","guid":{"rendered":"https:\/\/sandbox.reggaenorthca.com\/?p=3504"},"modified":"2022-05-24T01:21:33","modified_gmt":"2022-05-24T01:21:33","slug":"from-one-dance-to-i-feel-goodthe-best-of-beres-hammond","status":"publish","type":"post","link":"https:\/\/sandbox.reggaenorthca.com\/?p=3504","title":{"rendered":"From \u2018One Dance\u2019 to \u2018I Feel Good\u2019\u2026The Best of Beres Hammond!"},"content":{"rendered":"<p>It was the summer of 1985. Music producer Willie Lindo, based in New York, headed to Jamaica for a meeting with singer Beres Hammond. He was concerned that <strong><em>\u2018What One Dance Can Do\u2019<\/em><\/strong>, a song he wrote and produced for him, was going nowhere.<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;When it came out in the first three months nothing never gwaan (happen) for it but when mi reach Jamaica, Beres sey to mi, &#8216;Willie, I want yuh do something with mi later&#8217;,&#8221; Lindo recalled.\u00a0 Hammond took him club-hopping and Lindo saw firsthand the crowd reaction to <strong><em>\u2018What One Dance Can Do\u2019<\/em><\/strong>.\u00a0 &#8220;When dem (club DJ) put it on everybody get up an&#8217; dance. From that time, mi realize sey something a guh gwaan,&#8221; said Lindo.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018What One Dance Can Do\u2019<\/em><\/strong> was a monster hit and one of the biggest reggae songs for 1985. While Hammond had well-received songs like <strong><em>\u2018One Step Ahead\u2019<\/em><\/strong> and <strong><em>\u2018I&#8217;m in Love\u2019<\/em><\/strong>, they were soul ballads that appealed to conservative Jamaicans.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>&#8216;One Dance&#8217;<\/strong> made him a dancehall star in Jamaica and the Diaspora, and he has never looked back. For the next 20 years, &#8216;Cudjoe&#8217; ruled the charts with a flood of hit songs that earned him the title of &#8216;King of Lovers Rock &#8216;.\u00a0 That came after years of fighting in the trenches for recognition as a solo act and as lead singer of Zap Pow, a progressive reggae band that included bassist Mikey Williams and guitarist Dwight Pinkney.<\/p>\n<p>&nbsp;<\/p>\n<p>The following are some of the hits Beres Hammond has recorded over the years.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018One Step Ahead\u2019<\/em><\/strong> (1979) &#8212; Produced by Willie Lindo and written by Harold Butler, this timeless ballad is from the Lindo-produced Soul Reggae album.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Step Aside Now\u2019<\/em><\/strong> (1991) &#8212; Beres shows his bravado on this rocker, done to the beat of Dennis Walks&#8217; <strong><em>\u2018Drifter\u2019<\/em><\/strong>. Produced by Rodguel &#8220;Black Beard&#8221; Sinclair.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Who Say\u2019<\/em><\/strong> (with Buju Banton, 1992) &#8212; The teacher and the student rock on this perfect &#8216;combination&#8217; for Donovan Germain&#8217;s Penthouse Records.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Live On\u2019<\/em><\/strong> (with Marcia Griffiths, 1992) &#8212; Every king needs a queen. Marcia and Beres gave this Penthouse Records song the royal treatment.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Double Trouble\u2019<\/em><\/strong> (1993) &#8212; A clever recollection of staying out late and sneaking back in without the wife knowing. Produced by Steely and Clevie.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Putting up Resistance\u2019<\/em><\/strong> (1993) &#8212; A working-class anthem, Beres wails about keeping his head above water on this Tappa Zukie production.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Rock Away\u2019<\/em><\/strong> (1995) &#8212; The singer remembers his heroes, from Otis Redding to The Spinners and Dennis Brown, on this self-produced, easy-listening gem.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Can&#8217;t Stop a Man\u2019<\/em><\/strong> (1995) &#8212; Lovers rock at its finest. Produced by Beres for his Harmony House label.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018They Gonna Talk\u2019<\/em><\/strong> (2001) &#8212; Beres tells his lady love not to mind the gossip. Love is inevitable. Another winner for Harmony House.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Pull it Up\u2019<\/em><\/strong> (with Buju Banton, 2005) &#8212; Another big hit with &#8216;The Gargamel&#8217; for Penthouse Records. &#8216;Da dance ya bus&#8217;!<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018I Feel Good\u2019<\/em><\/strong> (2008) &#8212; Beres at his amorous best. A Penthouse Records production.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018Fight This Feeling\u2019<\/em><\/strong> (with Shaggy, 2013) &#8212; Mr. Boombastic reached out to Beres on this toe-tapper which is driven by the melody of Dennis Brown&#8217;s <strong><em>\u2018Sitting and Watching\u2019<\/em><\/strong>. Recorded for Shaggy&#8217;s Ranch Entertainment.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>\u2018God is Love\u2019 <\/em><\/strong>(with Popcaan) &#8212; The Unruly Boss shows respect to Father Beres and the Supreme Being on a song that teams different generations of Jamaican music. Produced by Shane Brown.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>This Article was first published by the South Florida Caribbean News<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was the summer of 1985. Music producer Willie Lindo, based in New York, headed to Jamaica for a meeting with singer Beres Hammond. He was concerned that \u2018What One Dance Can Do\u2019, a song he wrote and produced for him, was going nowhere. &nbsp; &#8220;When it came out in the first three months nothing [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":3503,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[261],"tags":[260],"class_list":["post-3504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-news","tag-breakingnews"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=\/wp\/v2\/posts\/3504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3504"}],"version-history":[{"count":3,"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=\/wp\/v2\/posts\/3504\/revisions"}],"predecessor-version":[{"id":3507,"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=\/wp\/v2\/posts\/3504\/revisions\/3507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=\/wp\/v2\/media\/3503"}],"wp:attachment":[{"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sandbox.reggaenorthca.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}